Conversation: Salvadorian Art & Activism in LA: 1980’s-Present
Conversation | Aug. 11, 2018, 11:30am-1pm
This is a past event.
Artist Eddie Rodolfo Aparicio sits with artist and scholar Beatriz Cortez and his mother—organizer Madeline Janis—to discuss the history of Salvadoran activism in Los Angeles and its intersection with art.
About the Conversation.
In the 1980’s, thousands of Salvadorans migrated to Los Angeles, fleeing the violent civil war that gripped the country. Once in LA, they quickly formed committed legal and political organizations to advocate for their community, as well as strong networks of artists and cultural practitioners to creatively engage a rapidly changing society. TMR is pleased to host a conversation about this key historical moment and its continuing legacy in the context of our exhibition My Veins Do Not End In Me. Panelists include Madeline Janis, former executive director of the Central American Resource Center (CARECEN); Beatriz Cortez, artist and scholar of postwar Central American literature and culture; and Eddie Rodolfo Aparicio, one of the three artists in our current exhibition.
About the Participants.
Eddie Rodolfo Aparicio (b. 1990, US) received an MFA from Yale University in Painting/Printmaking and a BA from Bard College in Studio Arts. He also studied at Southern California Institute of Architecture. He was a resident at Skowhegan in 2016. He has participated in group exhibitions at Steve Turner Gallery, Los Angeles and Zeit Contemporary, New York, among others.
Beatriz Cortez (b. 1970 El Salvador) received an MFA in Art from the California Institute of the Arts and a Ph.D. in Literature and Cultural Studies from Arizona State University. Cortez’s work explores simultaneity, life in different temporalities and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration, and in relation to imagining possible futures. She has had solo exhibitions at Clockshop, Los Angeles (2018); Vincent Price Art Museum, Los Angeles (2016); Centro Cultural de España de El Salvador (2014); and Museo Municipal Tecleño (MUTE), El Salvador (2012), among others. She has participated in numerous group exhibitions, including at Hammer Museum, Los Angeles (2018); BANK/MABSOCIETY, Shanghai, China (2017); Ballroom Marfa, Marfa, Texas (2017); and the Whitney Museum of American Art, New York (2017). She teaches in the Department of Central American Studies at California State University, Northridge. Beatriz Cortez is represented by Commonwealth and Council, Los Angeles.
Madeline Janis is the Co-founder and Executive Director of Jobs to Move America. For over 35 years, Madeline has been on the inside and outside of local and state government, working to create high road, equitable economic development, and strong industrial policy. Madeline has written opinion pieces for a variety of publications including Forbes.com, the Los Angeles Times, the Los Angeles Business Journal and the Huffington Post and has been cited as an expert in dozens of publications across the country. She has extensive experience leading nonprofits, working on urban economic and industrial development, women’s rights, immigrant rights, and racial justice. She helped to negotiate the first community benefits agreements in the U.S. and co-authored a book on the subject. Madeline was previously the founding executive director of the non-profit the Los Angeles Alliance for a New Economy, which she led from 1993 to 2012. Madeline also served as a commissioner on the Los Angeles Community Redevelopment Agency from 2002 until 2012. She received degrees from UCLA Law School and Amherst College in Massachusetts and was granted an Honorary Doctorate in Humanities from Amherst College in 2013.
Related
Press
Aug. 7, 2018 | The History and Present-Day Reality of Salvadoran Art & Activism in LA | Hyperallergic
Credits
Conversation: Salvadoran Art & Activism in LA: 1980s-Present is organized by TMR and presented in conjunction with My Veins Do Not End in Me.
TMR's program is made possible with the support of its Board of Directors, Big Mistake Patron Group, International Council, and Contemporary Council.
Photo Credit: The Mistake Room. Copyright 2018. The Mistake Room Inc.