Christopher Myers: Nobody Is My Name
Solo Exhibition | Feb. 12-March 23, 2019
This is a past exhibition.
Through a series of works created in collaboration with people around the globe, Christopher Myers explores the ways identity is forged in relationship to those unlike us.
About the Exhibition.
TMR is pleased to present Christopher Myers: Nobody is My Name—the artist’s first solo exhibition in Los Angeles and the first project of TMR’s 2019-2020 curatorial cycle—Histories of a Vanishing Present. This curatorial cycle explores, through postmemory, how a generation of artists born at the cusp of the global turn inherit pasts that don’t directly belong to them. For these artists, identity is not bound solely to biology, history, or geography, but rather sited in situationally specific processes of negotiation. Nobody is My Name approaches this complex approach to identity building through the experience of travel, foregrounding the ways in which a sense of self is assembled—at times smoothly, at times disjointedly—from interactions with people and places around the world. For years, Myers has been committed to transforming our understanding of globalization and the multiple realities it creates. At the core of his practice is an interest in capturing the ways the global project is intimately interwoven into quotidian acts and spaces—highlighting how the inherently abstract dimensions of the global are embodied amongst peoples. The exhibition features different projects that highlight unique moments, histories, and contexts, from a sculptural and photographic tribute to African-American sideshow performers, to a collaboration with traditional shadow puppet makers in Jogjakarta, to an Odyssey-inspired monumental quilt banner created with weavers in Egypt. From these kaleidoscopic exchanges, what emerges is a distributed subjectivity defined not by a single idealized origin, but by the cycle of its own making and unmaking. Through his practice, Myers proposes a way of interacting with the world based not on where we are from, but on all the places we have been and might go.
About the Artist.
Christopher Myers (b. 1974, US) is an artist and writer based in New York. While he is widely acclaimed for his work authoring and illustrating literature for young people, he is also an artist and maker whose work has been included in a host of exhibitions and cultural projects around the world. Myers has collaborated with traditional shadow puppet makers in Jogjakarta, silversmiths in Khartoum, conceptual video artists in Vietnam, musicians in New Orleans, woodcarvers in Accra, weavers in Luxor and many other artists who he sees as all being part of a large conversation about the movement of culture. Myers’s collaborations are fueled by an interest in the way that languages are borrowed globally and traded from South to South in order to address specific local concerns of people that have been thrust into contexts that range far beyond their locality. His work has been exhibited at PS1/MoMA, the Art Institute of Chicago, Prospect Biennial in New Orleans, and Contrasts Gallery in Shanghai. Myers has also curated exhibitions in Vietnam, designed theater that has travelled from PS122 in New York City to the Genocide Memorial Theater in Kigali, Rwanda, and collaborated with artist Hank Willis Thomas on a short film, Am I Going Too Fast, which premiered at Sundance. Myers participated in the Whitney Independent Studio Program. He has also written a host of essays for exhibition catalogues and for publication such as The New York Times. He is currently working on a book comparing global censorship methodologies.
Related
Press
Feb. 11, 2019 | Los Angeles: Frieze Art Fair and LA Art Week February 13th-17th, 2019 | Art Observer
Feb. 12, 2019 | Christopher Myers: Nobody Is My Name | Curate LA
Feb.12, 2019 | Christopher Myers: Nobody Is My Name | Mutual Art
Credits
Christopher Myers: Nobody is My Name is organized by TMR and curated by César García-Alvarez, TMR Executive and Artistic Director.
This exhibition is part of Histories of a Vanishing Present, TMR’s 2019-2020 curatorial cycle exploring the global dynamics of postmemory. Major support for this cycle is provided by the Andy Warhol Foundation for the Visual Arts.
TMR's program is made possible with the support of its Board of Directors, Big Mistake Patron Group, International Council, and Contemporary Council.
Photo Credit: Adam Kargenian. Copyright 2019. The Mistake Room Inc.